Flying With Red Haircrow

Counseling, Consultation & Cultural competency

Tag: documentary

Available 18 July – My new short film is part of “Kolonialismus & Widerstand” Digital Exhibition


Please read the full announcement at the Museum website, which is in German but translatable via browser app.

“Not your Indian”, a short film by Red Haircrow.


From the website: “With our new digital guide, we invite you to experience the Museum Fünf Kontinente in a new way. It offers diverse perspectives on colonial history and forms of anti-colonial resistance. The guide explains how individual works presented in the permanent exhibitions came to be in Munich and identifies the contexts of injustice in which the museum is entangled.”


Kolonialismus & Widerstand bringt Stimmen aus Herkunftsgesellschaften, Diaspora, Kunst und Forschung auf gleichberechtigte Weise zusammen. Provenienzrecherchen aus dem Museumsarchiv begegnen multimedialen Kunstinterventionen und Perspektiven aus Afrika, Europa, den Amerikas, Asien und Ozeanien.

Mit Beiträgen von: Heena Ansari, Sokhieng Au, Eva Bahl, Denilson Baniwa, Hope Bartley, Memory Biwa, Gift Uzera, Muningandu Hoveka und Nicola Brandt, Gladis Arosemena Caicedo de Crespo und Ignacio Crespo, Hamado Dipama, Crystal Gail Fraser, Regis Hitimana, Bob Jahnke, Natasha A. Kelly, Ayşegül Koca, Khosran Kiyanrad, Dan Taulapapa McMullin, Maria Muehombo, Luis Muro, Moe Myat May Zarchi, Ana De Orbegoso, Red Haircrow, Nancy Rushohora, Ibrahima Sene, Michael Tuffrey, Tanith Wirihana Te Waitohioterangi und anderen.

Kolonialismus & Widerstand: Wege des Erinnerns wurde ermöglicht durch eine Förderung im Programm kultur.digital.vermittlung des Bayerischen Staatsministeriums für Wissenschaft und Kunst.

Call for Participants – Filming restarted for #ALMOST #Documentary – #Indigeneity #GenderDiversity & #Stigma

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FILMING HAS RESTARTED FOR ALMOST! WE ARE ACTIVELY SEEKING PARTICIPANTS, SO PLEASE  APPLY AS SOON AS POSSIBLE.

ALMOST was first developed to be a short #documentary film with unique animated storytelling and live scenes, which it still will be, but additionally, I will create a #webseries where episodes feature participants who wish to further share their journey. Other components, such as the spider symbolism will also be explained further, as the web series will supplement and expand the main documentary’s themes and topics.

Description: Focusing on the intersection of realities, identities and Indigeneity, and the concept of being enough, no matter what or who you are.

“Almost normal.
Almost acceptable.
Almost Indigenous.

Half, a quarter, a fraction, a piece.
Gender, sexuality, ethnicity, cognitive or physical dis-/abilities.
Toxic beliefs, ableist and racist structures in society continue to harm.

Some are embracing their differences in order to heal…and they’re connecting.”

PARTICIPANTS WILL NEED TO BE:

1) Over the age of 18 at the time of filming
2) Be willing to sign an agreement for use of their likeness and footage in this project
3) Have an understanding Indigenous and original peoples exist across the world, including Europe, but priority will be given to those connected to or reconnecting to their cultures

Please view the trailer here or on Vimeo, and read through the information currently available on this website, such as the story, the spider and the director’s pages. Red Haircrow, who was awarded the 2023  Ma’’ingan Scholarship for their work as an early career psychologist in gender expansive support and research, has their personal website also, which can be found here https://redhaircrow.com/.

If you are interested in participating and/or have any questions, please follow the link to our posting and use our contact form. You are also welcome to share this call appropriately.
https://almostdocumentary.wordpress.com/2023/09/20/call-for-participants/

Our #Documentary “Forget Winnetou! Loving in the Wrong Way” Now Available from VTAPE

Request a copy of “Forget Winnetou! Loving in the Wrong Way” for your university, organization or screening event today!

Summary: “The same mentality that ignores indigenous rights to self-representation are often those who also stereotype and gaslight GLBTIIQ people, women, the disabled or economically challenged, especially people of color just for desiring change and equality. It is basically saying, “My gratification is more important than your dignity, your rights or even your life.” This is a main facet of rape culture. It is intersecting oppression.

Most films about Natives concentrate on European narratives or indigenous experience in North America but there are Natives abroad and being “loved in the wrong way” in “Indian crazy” Germany has many forms. Germany is a microcosm of struggles taking place across the world both against and for decolonization; for correcting white privilege and supremacy that’s divided and helped destroy our world. We explore the roots of racism, colonialism, and appropriation in Germany from a rarely considered perspective: the Native American stereotype they claim to adore.”

On IMDb

On Twitter

Request an Interview

Press & Resources


ABOUT VTAPE
“Vtape is a vibrant distribution organization that represents an international collection of contemporary and historical video art and media works by artists. We make this collection accessible to curators and programmers, educators, scholars and public audiences worldwide. In addition to providing a distribution framework for established and emerging artists, Vtape is committed to establishing video art preservation and exhibition standards, and strives to support hybrid practices in an increasingly complex technical milieu.”

Photo by Viveka Frost.

May 24th Screening of #Documentary “Forget Winnetou! Loving in the Wrong Way” at ISTA in #Berlin

Our next event is a screening and Q&A at ISTA or the Institut für den Situationsansatz, Muskauer Str. 53, 10997 Berlin. We will discussion the realities and misrepresentation of Native Americans in Germany, and its inter-sectional connection to the rise of normalized racism, xenophobia and white supremacist ideology and behaviors in western society as a whole.

The event begins at 5pm, and is a free but seating in limited. Please contact ISTA to register and/or if you have questions about the location and event.