native americans | Flying With Red Haircrow

07/11/2024

Red Haircrow included the Forthcoming collection: “IndigePop: A Companion” Edited by Seibel & Dlaske

by Svetlana Seibel (Volume editor)Kati Dlaske (Volume editor)
©2024Edited CollectionVIII, 304 Pages
The Arts

Series: Genre Fiction and Film Companions, Volume 16
Forthcoming!

Summary:

“Contemporary Indigenous popular culture is a dynamic and expansive cultural field that has been gaining momentum since the turn of the twenty-first century. This edited collection brings together contributions by scholars, artists and practitioners who work with and in the field of Indigenous popular culture in various capacities, from different standpoints and in a range of geopolitical contexts. This approach aims at promoting a dialogue between diverse sites of knowledge production of and on the Indigenous popular at the same time as it reflects the multivocal, multimedial and multisited landscape of contemporary Indigenous popular culture. The contributions in the volume engage both the poetics and the politics of IndigePop, showcasing the creative and celebratory energies of Indigenous popular culture and Indigenerdity as well as their societal significance vis-à-vis Indigenous resistance, resurgence and political struggles.”

Details
Pages, 304
Publication Year 2024
ISBN (PDF): 9781803743097
ISBN (ePUB): 9781803743103
ISBN (Softcover): 9781803743080
DOI: 10.3726/b21220
Language: English

Keywords:
IndigePop, Indigenerdity, Indigenous popular culture, contemporary popular culture, Indigenous popular art, Indigenous literature and media, Indigenous Comic Con, IndigiPopX

Published: Oxford, Berlin, Bruxelles, Chennai, Lausanne, New York, 2024.

26/05/2019

Tune in June 2nd to Our Interview on #WDR #Zeitzeichen’s Broadcast: “The Indian Citizenship Act”

Tune in June 2nd, for Red Haircrow’s interview by Claudia Friedrich, part of the WDR Zeitzeichen broadcast on “The Indian Citizenship Act”. Make a note to listen in on topics of racism, white supremacist ideology and tokenism, all of which involves Germany’s problematic treatment of Native peoples and cultures today. All intersecting with and part of the rise of normalization of racism and nationalism BIPOC, German and foreign alike, are faced with daily…and which harms everyone. It continues systems of inequality, injustice and oppression.

Photo from the WDR webpage.

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05/05/2019

Thanks Osnabrück & Museumquartier on April 26th Screening and Q&A

Great turn-out for the screening and Q&A for our documentary film, “Forget Winnetou! Loving in the Wrong Way” in Osnabrück at Museumquartier. Please read the summary of the evening written by Dr. Andreas Brenne, who curated the exhibition.

“Freitag Abend im Museumsquartier Osnabrück: Red Haircrow – Forget Winnetou/Loving in the wrong way (Film und Diskussion) Ein anregender Abend im vollbesetzten Haus. Mit dabei: zahlreiche Lehrende und Studierende der Uni Osnabrück (Institut für Amerikanistik, Institut für Sozialwissenschaft) und der Autor und Produzent des Films Red Haircrow (Autor, Psychologe, Filmemacher und Koch). Ein eindringlicher und in seiner Direktheit beeindruckenden Dokumentarfilm gab er den in Deutschland ansässigen Native Americans eine Stimme und präsentierte kontroverse Positionen und Perspektiven auf das Thema „Herkunft und kulturelle Identität“.

Kein Infotainment a la Michael Moore sondern ein fundraising Film mit begrenztem Budget. Insofern lag der Fokus auf den sehr persönlichen Statements, die durch Interviews mit Experten (u.A. Hartmut Lutz) ergänzt wurden. Auch die anschließende Diskussion mit dem Autor war sensibel und inhaltlich komplex. Kein Karl May bashing ( Red Haicrow: Wunderschöne Bücher, ich wünschte ich hätte Karl May einmal kennengelernt) sondern eine differenzierte Auseinandersetzung mit dem deutschen Bild des Indianers. Wertschätzung, Interesse, Aneignung und stereotype Diskriminierung liegen oft nah bei einander und es ist hilfreich dies näher zu untersuchen. Ein Ausweg – so der Autor – ist Begegnung, Kontakt und Interaktion. Und natürlich soll man weiter Karl May lesen und zur Aufführung bringen. Von politisch korrekten Bearbeitungen (wie jüngst bei Pipi Langstrumpf) hält Red Haicrow gar nicht. Man sollte Winnetou also nicht vergessen, sondern unter einer anderen Perspektive wieder entdecken. Ein gelungener und auch nachdenklicher Abend.”

HASEPOST Osnabrück.

04/12/2018

We’re Screening on Oct.29th at Refugees Welcome #Film#Festival in #Berlin

In Berlin on 29 October, starting at 20:00 at the Babylon Cinema, my documentary film will screen at this film festival. Myself and members of the film team, and hopefully some participants also will be there to present and see it on the big screen again. Please visit their website, as well as the theater site for more details and information on the venue and other films being shown. http://www.refugeesfilmfest.com or in the Website of Babylon Cinema: https://babylonberlin.eu.

The topic of refugees, “migrants” and the backlash of hatred, intolerance and xenophobia that continues to be a big problem in Germany, might topically seem unrelated to Native Americans or German enthusiasm and appropriation of “native cultures”. However, it is very much connected to the issues of racism and modern colonialism that plague western society. Here is an entry letter to the festival, as we realized (and have experienced) that many Europeans, Germans especially, automatically reject any criticism or connection of stereotypes to continuing historical harm.

Greetings,

I am Red Haircrow, the director and producer of this attached film submission. At first glance, it may not seem to fit the description of your festival, but very much due to its material and participants, I feel it may be given consideration due to its honest discussion of stereotyping of people of color, foreigners and those who are “Othered” in German society.

Our film’s interviewees contrast Germany’s treatment of its “favorite” foreigners, Native American Indians vs. the daily racism, discrimination and aggression less flavored “others”, such as refugees and migrants often receive. It also specifically discusses how white foreigners are “expats”, but people of color are “migrants”. A different standard is applied. So, the topics of Eurocentrism, colonialist history and beliefs, nationalism and racism when one does not fit the favored stereotype is considered. Also the role of spectator or voyeur some Europeans have to migration stories and the personal and/or national tragedies that people searching for better and safer lives may bring with them.

Sincerely,
Mr. Red Haircrow

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