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Tag: poetry

NOW AVAILABLE for PRE-ORDER from SIBLING RIVALRY PRESS Virginia Bell’s “From the Belly”

“Imagine that things called color and taste and sex
-indeed the knotted thing called family
were a constant revelation…”

Ralph Hamilton, Editor of RHINO Magazine

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$11.96 if pre-ordered!

$14.95; ISBN: 978-1-937420-23-9

6 x 9 Perfect-Bound Paperback; 68 Pages

Review Copies and Author Interviews Available
Publisher Telephone: (870) 723-6008
Publisher Email: info@siblingrivalrypress.com
Author Email: bluebellhome@sbcglobal.net

Author Hometown: Evanston, IL

Release Date: September 18, 2012

ABOUT THE BOOK

In From the Belly, Virginia Bell opens the doors to a gallery of poetic meditations – on the tenderness of childhood and motherhood, the primal pleasures of food and sex, and the joyful aches of family and memory. The poems are by turns ekphrastic and self-consciously confessional, taking inspiration from the art of everyday things.

Influenced by and suggested if you enjoy the following: Anne Carson’s Glass, Irony, and God; Mark Doty’s My Alexandria and School of the Arts; Natasha Trethewey’s Native Guard; Elizabeth Alexander’s The Venus Hottentot; Lisel Mueller’s Alive Together; Louise Gluck’s The Wild Iris; Rita Dove’s Selected Poems; Emily Dickinson’s Selected Poems and Letters; Marie Howe’s What the Living Do; Christina Pugh’s Restoration; Ruth Stone’s Ordinary Words; Heather McHugh’s Hinge and Sign; Adrienne Rich’s Midnight Salvage; the photography of Sally Mann.

ADVANCE PRAISE

Chris Green, author of Epiphany School, says:  “Virginia Bell’s From the Belly is pure pleasure and expertise. Poetry about all home matters secret, scary, and sweet. The body and its generations, our food and art. Poems both comfortable and ominous folded in fine linen but spotted with blood. The book, like a series of intimate paintings and photographs, is perfectly stilled. Bell is never hurried, and the reader is aware throughout of her technical skill, love, common sense, vision, and magnificence.”

Alice George, author of This Must be the Place, says: “Like a painter who rejoices in the wrestle between abstraction and representation, Virginia Bell’s poems respect and illuminate their earthly triggers while transforming this world through an impressive craft and compression.”

ABOUT THE AUTHOR

Virginia Bell’s poetry has appeared in CALYX, a Journal of Art and Literature by Women, The Mom Egg, Poet Lore, Pebble Lake Review, Wicked Alice, Ekphrasis, Contrary Magazine, Woman Made Gallery’s Her Mark: a Journal of Art and Poetry, and Beltway Poetry Quarterly, as well as in the anthologies Brute Neighbors: Urban Nature Poetry, Prose and Photography, and A Writers’ Congress: Chicago Poets on Barack Obama’s Inauguration. Bell has a Ph.D. in Comparative Literature and has published articles on activist writers such as Eduardo Galeano and Leslie Marmon Silko, and also the Instructor’s Resource Manual for Beyond Borders: A Cultural Reader (Houghton Mifflin, 2003). She is an associate editor with RHINO Magazine and an adjunct professor at Loyola University Chicago, where she particularly enjoys teaching courses on Women in Literature and Early American Literature.

 

ABOUT THE PRESS

Located just outside of Little Rock, Arkansas, Sibling Rivalry Press develops, publishes, and promotes outlaw artistic talent. Our aim is to cultivate literary and poetic rock stars. We are also home to Assaracus, one of Library Journal‘s Best New Magazines.

Thank You to Assaracus Magazine, Sibling Rivalry Press: For Acceptance of My Poetry

It’s part of a writer’s life, more so than non-writers or those who’ve never submitted or aimed to make writing a profession entirely realize:

R-E-J-E-C-T-I-O-N, all caps.

For every one acceptance you receive, most writers have had hundreds of “no’s” for that same work(s), even some of the authors who’ve gone on to be listed as some of the greatest in modern history. I am someone who doesn’t need or want a critique of the work simply because publishing and likes and dislikes are subjective. What one person likes, another doesn’t.

I also know the publishing industry to a moderate degree that just because you get a rejection sometimes, it is not based on the quality of work, but on what the house is looking for at the time, what they have enough of, and personal preference, that too. When you write across genres as I do, often on some topics people continue to not wish to face head-on like child abuse or whatever…you will get even more of your share of “no’s.”

With poetry, it is even more subjective, because most aren’t telling a story like with a novel, or a person’s life or some event or historical period of time like in non-fiction. Poetry is so…difficult to describe in substance, I believe. It can be so many different things, and it is more about raw expression than built-up scenes. Imagery over setting. The personal versus the general. My poetry, like my other work, is very personal to me, even more so than most in that whatever I am writing about it is based on my life, my experiences, my emotions and those I have intimately observed or experienced with others. My poetry is especially thus.

When I received the message from the editor at Assaracus Magazine that eight of my poems, all I had submitted were accepted, it was a strange relief. Someone got it. They additionally added: “Your work is unique with an interesting voice and I can’t wait to bring it to our audience. Congratulations, and welcome to Assaracus! This was our heaviest submission period to date. The cream rises to the top.”  The poems will be released within the magazine in 2013.

A pre-release reviews of some of the works (thank you): “Some poems completely wrenched my heart and took me on a wild journey. How you manage to say so much with so few words and yet convey worlds of meaning is incredible to me.”

One of the poems which will be included:

REQUIEM

One day I will walk

down to the sea,

unfurling my robes

from around

my quiet body.

Launching into the surf

I will swim as far

as endurance lasts

then drive, making

the final descent for

the deep waters,

forsaking sun and sky for

the silence of great depths.

As thoughts flicker like

an old reel film through

my brightly flashing

consciousness,

the last breath will escape

my lips and the crushing waters

will send light from

my fingertips.

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About Assaracus Magazine, a journal of gay poetry, from Sibling Rivalry Press’s website:

“BEST NEW MAGAZINE” – LIBRARY JOURNAL (May 2012)

ASSARACUS (ISSN 2159-0478). Our gay-themed print journal, Assaracus, (pronounced ASS-uh-RACK-US) continues in the tradition of Ganymede – but with an underground feel – similar to Mouth of the Dragon and other influential publications of the 70′s and 80′s. Named for Ganymede’s earth-bound brother, the journal provides a grand stage for gay contemporary poetry. We want for you to have a new favorite poet at the end of each issue. We want, decades from now, people to look back and see how we lived through how we wrote. Each issue of Assaracus, a quarterly publication, features a substantial collection of work by a small number of gay poets. Says Matthew Hittinger (who was included in our first issue), “The fun thing about Assaracus (aside from its, ahem, “cheeky” name…) is that rather than feature fewer poems by a multitude of people in one issue, it focuses on a smaller number of poets and devotes more pages to their work, creating mini-portfolios.”

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I recently did a review of one of the many great collections on their site, When The Only Light Is Fire by Saeed Jones. 5 stars.